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In her studio practice Tonia employs time-based media including photography, video and audio recording. She offers about her practice:
I endeavor to examine the ways in which identities are formed in relation to ethnicity. As a first generation Canadian-Italian, who is neither fluent in the language nor religious, I see my Italian heritage dissolve and diffuse within mainstream North American culture. In gathering, drawing and collecting images and objects I associate within a specific female cultural identity, I attempt to rediscover customs and artifacts in order to form a history. My research includes an exploration of social position and lifestyle in relation to the women of my past. This investigation is not to transcend their lives but to look to the past as a way of understanding and informing the present through the various permutations of social customs and norms. My work has developed through ongoing investigations of gendered ethnicity in relation to domestic issues, including housekeeping, home maintenance, food preparation, interior decoration and relationships to the miniature.
She received a BA in Art and Art History from the University of Toronto and Sheridan College and an MFA from the University of Windsor. She has exhibited across Canada and has been the recipient of Canada Council, Ontario Arts Council and Nova Scotia arts grants.
toniadirisio.com
In her studio practice Tonia employs time-based media including photography, video and audio recording. She offers about her practice:
I endeavor to examine the ways in which identities are formed in relation to ethnicity. As a first generation Canadian-Italian, who is neither fluent in the language nor religious, I see my Italian heritage dissolve and diffuse within mainstream North American culture. In gathering, drawing and collecting images and objects I associate within a specific female cultural identity, I attempt to rediscover customs and artifacts in order to form a history. My research includes an exploration of social position and lifestyle in relation to the women of my past. This investigation is not to transcend their lives but to look to the past as a way of understanding and informing the present through the various permutations of social customs and norms. My work has developed through ongoing investigations of gendered ethnicity in relation to domestic issues, including housekeeping, home maintenance, food preparation, interior decoration and relationships to the miniature.
She received a BA in Art and Art History from the University of Toronto and Sheridan College and an MFA from the University of Windsor. She has exhibited across Canada and has been the recipient of Canada Council, Ontario Arts Council and Nova Scotia arts grants.
toniadirisio.com
Glaze and Flow, 2022
Installation view at Red Head Gallery
Hand cut collage and mixed media
Picture by Peggy Taylor Reid, 2022
Wood, 2022
Installation view at Red Head Gallery
Hand cut collage and mixed media
Picture by Peggy Taylor Reid, 2022
Wood, 2022
Installation view at Red Head Gallery
Hand cut collage and mixed media
Picture by Peggy Taylor Reid, 2022
Spread, 2017
Installation view at the Red Head Gallery
Hand cut collage
Dimensions vary
Spread, 2017
Installation view at the Red Head Gallery
Hand cut collage
Dimensions vary
Spread, 2017
Installation view at the Red Head Gallery
Hand cut collage
Dimensions vary
Spread, 2017
Installation view at the Red Head Gallery
Hand cut collage
Dimensions vary
Frutti di Mare, 2015
Hand cut collage
30.5 x 22.9 (cm)
Farfalle and Fauna, 2014
Hand cut collage
30.5 x 22.9 (cm)
Stacked and Panned, 2014
Hand cut collage
30.5 x 22.9 (cm)
Thin Strings, 2014
Hand cut collage
30.5 x 22.9 (cm)
Cream, 2015
Hand cut collage: magazines, paper, glue
30.5 x 22.9 (cm)
Quenelles, 2015
Hand cut collage
30.5 x 22.9 (cm)
Feed, 2010
Video still from “Cooking In Italy” (16 channel grid)
Dimensions vary
Feed, 2010
Single channel video installation
Dimensions vary
Pasta Suppers, Pasta table, 2010 – Present
Community workshop and supper
2 - 6 Hours
Pasta Workshop
Eyelevel Gallery
Halifax, 8 August 2010
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